A MULHER COMO CAMPO DE BATALHA E O DRAMA DOS CORPOS PRECÁRIOS

This article aims to discuss and analyze Matei Visniec's dramaturgical text Woman as a Battlefield (1997), based on the aesthetic-political relations that play implies with rationalist tradition of mechanistic philosophy historical advance capitalism, in detriment other theoretical possibilities thinking about body, equality, affection, literary sensitization common justice through, among authors, Gilles Deleuze's thought difference, Silvia Federici's Marxism-Feminism and, finally, Judith Butler's proposal for new ontology precarious bodies.